![]() And they look to everyone else, not for a handout but for recognition and acknowledgement for what they've contributed, as a culture, to the book of humanity. And even through all of that, these people are still willing to share their culture. I want people to know that that's there, even through all the trauma and assassination attempts and. I'd like the conversation to be about the resiliency of these people and the untapped wealth of skill, thought, language, art. What would you like the conversation to be about? There was an interview with you that I read where you said that you regret the fact that you don't want Haiti to be always seen in the context of this trauma loop. I think that's something that I live with, for sure. So I'm hearing a lot more of that kind of talk in terms of "Well, what will become of us as a nation?" The dialogue is always, "What atrocity occurred today" now, and "How are we going to deal with it tomorrow?" We've just been consistently doing this collective crisis management since 1804. A lot of people are extremely depressed, more than anything, at the recent events. So when I call my family, it's, like, the same conversation. To me, it's a broken record that's on repeat. Well – what's going on right now reminds me of what went on with Aristide in the early '90s and the whole exodus, the whole " boat people," the whole political asylum. do you find yourself calling relatives every day just to check on them? But still, you know – the president killed in his own bed, his wife wounded. You say this has been what you've been living with. My personal mythology, insofar as the way I think about my origins and when I ponder whether or not there are powers beyond our understanding and comprehension, that influence what we do from day to day and where we go in life – for me, that thing in the tangible form is Haiti. It's "Kriminel," and in it, you talk about memories of hunger – I'm wondering whether the centrality of Haiti to your art is something that you arrived at, or was it always there? So I just want to play a short track here from your latest album, Pray For Haiti. And like all great art, it's universal, but it's also specific. Haiti has always been so important to your art.
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